Busan Biennale 2002
- Type
- on group show
- Artist
- Dominique Gonzales-Foerster, Grazia Toderi, Carlos Amorales, Christian Jankowski, Alain Séchas, Bertrand Lavier, Sarah Morris, Chen Zhen, Uri Tzaig, Jorge Pardo, Yan Pei-Ming, Wim Delvoye, Gilles Barbier, Roderick Buchanan, Navin Rawanchaikul, Nic Hess, Gianni Motti, Pia Rönicke, Shimabuku, Tadashi Kawamata, Kim Sooja, Subodh Gupta, Fatimah Tuggar, Klat, Christoph Büchel, Paul Pfeiffer, Fernando Bryce, Young-Whan Bae, Anne & Patrick Poirier, Los Carpinteros, Yuan Goang-Ming, Isabel & Alfredo Aquilizan, Kim Young-Jin, Tobias Bernstrup, Julie Mehretu, Leandro Erlich, Barthélémy Toguo, Javier Pérez, Fernando Alvim, Mi-Kyung Lee, Cristian Alexa, Handan Börütecene, Marco Brambilla, Botto & Bruno, Gast Bouschet, Dae-Yong Byun, Jim Campbell, Jung-Wha Choi, Joanna Concejo, Florentino Diaz, Benjamin Edward, Malachi Farrel, Seong-Hye Hong, Hung Tung-Lu, In-Sook Hwang, Yeun-Doo Jung, Hong-Goo Kang, Sung-Soo Kim, Soon-Gon Kwak, Marc Latamie, Hyun-Jae Lee, Medium, Jun Nguyen-Hastushiba, Beltrán Obregón, Yong-Suk Park, Jiri Prihoda, Rogues' Gallery, Seoul School of Architecture, Jude Tallichet, Frank & Olivier Turpin, Dana Wyse
- Editor
- Hwang Hur
- Publisher
- Sang-Young Ahn, Busan, 2002
- Venue
- Busan Metropolitan Art Museum
- Code
- KR-BUS-BIE-6
See also
Georges Pompidou et la modernité
Georges Pompidou et la modernité
Georges Pompidou et la modernité
De houdbaarheid van videokunst – Conservering van de Nederlandse videokunst collectie
De houdbaarheid van videokunst – Conservering van de Nederlandse videokunst collectie
De houdbaarheid van videokunst – Conservering van de Nederlandse videokunst collectie
Bedrijfscollecties in Nederland – Corporate collections in the Netherlands
Bedrijfscollecties in Nederland – Corporate collections in the Netherlands
Bedrijfscollecties in Nederland – Corporate collections in the Netherlands
De Pont – de collectie
De Pont – de collectie
De Pont – de collectie
I Was a Male Yvonne de Carlo. Critical Art Can Be Sophisticated, Even Entertaining
I Was a Male Yvonne de Carlo. Critical Art Can Be Sophisticated, Even Entertaining
I Was a Male Yvonne de Carlo. Critical Art Can Be Sophisticated, Even Entertaining
Insight Contemporary Dutch Photography from the collection of the Stedelijk Museum
Insight Contemporary Dutch Photography from the collection of the Stedelijk Museum
Insight Contemporary Dutch Photography from the collection of the Stedelijk Museum