CTRL [SPACE]: Rhetorics of Surveillance from Bentham to Big Brother
- Title
- CTRL [SPACE]: Rhetorics of Surveillance from Bentham to Big Brother
- Type
- on group show
- Artist
- Jürgen Klauke, Bruce Nauman, Peter Weibel, Dan Graham, Vito Acconci, Chip Lord, A.P. Komen, Ann-Sofi Sidén, Karen Murphy, Thomas Ruff, Andy Warhol, Sophie Calle, Harun Farocki, Julia Scher, Rem Koolhaas, Jenny Marketou, Ange Leccia, Jordan Crandall, Diller + Scofidio, Dan Mihãltianu, Langlands & Bell, Merry Alpern, Lutz Bacher, Lewis Baltz, Denis Beaubois, Jeremy Bentham, Niels Bonde, Bureau of Inverse Technology, Paul Bush, Peter Cornwell, Jonas Dahlberg, David Deutsch, Bart Dijkman, Graft, G.R.A.M, Jeff Guess, Harco Haagsma, Jon Haddock, Institute for Applied Autonomy, Michael Klier, Korpys / Löffler, Laura Kurgan, Jürgen Mayer, Michaela Melián, Heiner Mühlenbrock, Wendy Kirkup Pat Naldi, Yoko Ono and John Lennon, Chris Petit, Daniel Roth, Cornelia Schleime, Lewis Stein, Stih & Schnock, Surveillance Camera Players, Frank Thiel, Zoran Todorovic, visomat inc, Jamie Wagg, NYC Surveillance Camera Project, Walid Raad, O.M.A.
- Publisher
- MIT Press, Cambridge, 2002
- Venue
- Zentrum fur Aktuelle Kunst, Aachen
- Code
- DE-KAR-ZKM-2
- Details
- 665 pages
- ISBN
- 9780262621656
See also
Understanding Media: The Extensions of Man
Understanding Media: The Extensions of Man
Understanding Media: The Extensions of Man
Janice Kerbel, Martin Arnold, Ceal Floyer, Euan Macdonald, Daniel Olson – BANG
Janice Kerbel, Martin Arnold, Ceal Floyer, Euan Macdonald, Daniel Olson – BANG
Janice Kerbel, Martin Arnold, Ceal Floyer, Euan Macdonald, Daniel Olson – BANG
Totally Wired – science, technology and the human form
Totally Wired – science, technology and the human form
Totally Wired – science, technology and the human form
Julia Scher – Always there
Julia Scher – Always there
Julia Scher – Always there
Chris Burden – on the occasion of the exhibition LAX
Chris Burden – on the occasion of the exhibition LAX
Performance – A Critical Introduction
Performance – A Critical Introduction
Performance – A Critical Introduction